![]() To do this, he utilizes advanced scientific methods and forensic techniques, so that he can piece together the town’s sordid history. In their interpretation, protagonist Ichabod Crane was to be reimagined as a bumbling detective – as opposed to a school teacher – who is sent to the close-knit community of Sleepy Hollow to ascertain why the town elders are all having their heads ‘’lopped off’’. Together, the pair made a number of radical deviations from Irving’s source, completely overhauling elements of story, drastically changing the characters, and infusing the gothic atmosphere with lashings of gore. ![]() To help him flesh out the treatment, Yagher enlisted the help of Andrew Kevin Walker (a fellow Tales from the Crypt alumnus) who had recently finished his calling card screenplay, Se7en. Rather than just a spooky ghost-story, this version would be an unstoppable revenant, one who would enact ‘’a spectacular murder every five minutes’’. Enamored with the idea of taking this modest piece of folklore and using it as a springboard for creating his own slasher property, he began developing a spec script that updated the Headless Horseman so that he was more like an eighteenth-century version of Jason Voorhees. He probably had several pitches floating around, but the one that Yagher was really passionate about was an adaptation of Washington Irving’s The Legend of Sleepy Hollow. ![]() Taking advantage on his newfound clout, and eager to progress his career, he began looking for projects that would allow him to flex his directorial muscles, whilst also capitalizing on his background in effects. Therefore, whilst Yagher may not have been a household name – or even particularly well known amongst movie buffs –he was certainly leaving his fingerprints all over the industry. Not only that but Yagher had also announced himself as a promising filmmaker to boot, having directed a couple of Tales from the Crypt episodes. Boasting an impressive résumé- with make-up credits in films such as Child’s Play, Friday the 13 th : The Final Chapter and the early Nightmare on Elm Street sequels – he helped create some of the silver screen’s most enduring monsters. A year later, A-Trak’s version of “Heads Will Roll” ended up in the climax scene of the comedic film, “Project X.” From then on, the song was cemented in greatness.Back in 1993, special-effects guru Kevin Yagher was busy making a name for himself as one of horror’s most dependable technicians. ![]() It wasn’t until the remix circulated and gained popularity that the label eventually asked to release it. In a tweet, he remembers seeing the Yeah Yeah Yeahs and immediately wanting to get his hands on their version of “Heads Will Roll.” He reached out to band asking to remix it-a process that typically happens the other way around.Īfter a few long months of working on the track while touring, the label Interscope rejected the release. In addition to explaining how the song was made, A-Trak also gave an anecdote as to why the project was so special for the artist. In a short YouTube clip, the Canadian producer talks over a screen recording of his beat lab while showing the progression the song took to its final form. A-Trak‘s lauded remix of “Heads Will Roll” by the Yeah Yeah Yeahs is celebrating is 10th anniversary, and as such, the producer took the time to make a video for fans outlining the creative process behind it.
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